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Crazy Credits. Alternate Versions. Rate This. In Miami, a determined Cuban immigrant takes over a drug cartel and succumbs to greed.
Director: Brian De Palma. Writer: Oliver Stone screenplay by. See Showtimes. Added to Watchlist. From metacritic. Mahesh Babu's Watchlist.
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Black And White Another 4 nominations. Edit Cast Cast overview, first billed only: Al Pacino Tony Montana Steven Bauer Manny Ribera Michelle Pfeiffer Elvira Mary Elizabeth Mastrantonio Gina Robert Loggia Frank Lopez Miriam Colon Mama Montana F.
Murray Abraham Omar Paul Shenar Alejandro Sosa Harris Yulin Chi Chi Arnaldo Santana Ernie Pepe Serna Angel Michael P.
Nick The Pig Al Israel Hector The Toad Dennis Holahan Learn more More Like This. Taxi Driver Crime Drama. Reservoir Dogs Crime Drama Thriller.
The Godfather: Part II Goodfellas Biography Crime Drama. Django Unchained Drama Western. Inglourious Basterds Adventure Drama War.
Kill Bill: Vol. Action Crime Thriller. A Clockwork Orange Crime Drama Sci-Fi. The Godfather Pulp Fiction The Shining Drama Horror.
The production was halted twice for severe weather events in California. Production was shut down for more than a week while Pacino recovered.
Less than two months before the film's release, on October 28, , Scarface was given an X rating by the Motion Picture Association of America for "excessive and cumulative violence and for language.
We'll accept the X rating and appeal. Instead of using popular music from the period in which the film is set, the music in Scarface was produced by Academy Award-winning Italian record producer Giorgio Moroder.
Reflecting Moroder's style, the soundtrack consists mostly of muzak-like synthesized new wave , electronic music.
De Palma said that he repeatedly denied Universal's requests to release the film with a "pop" score because he felt Moroder's score was adequate.
Scarface premiered on December 1, , in New York City , where it was initially greeted with mixed reaction. The film received a North American DVD release on the film's fifteenth anniversary in , featuring a non-anamorphic widescreen transfer, a "Making of" documentary, outtakes , production notes, and cast and crew biographies.
This release was not successful, and many fans and reviewers complained about its unwatchable video transfer and muddled sound, describing it as "one of the worst big studio releases out there".
Scarface was released on Blu-ray on September 6, , in a two-disc, limited edition, steelbox package:  the set was criticized for its poor picture quality due to usage of an old master created from the DVD release.
Bonus features include The Making of Scarface documentary, and a new retrospective documentary: The Scarface Phenomenon.
A special gift set, limited to 1, copies, features the Blu-ray set housed in a cigar humidor , designed by humidor craftsman Daniel Marshall.
The limited edition set contains a specially made statue, a newly remastered transfer and, for the first time on Blu-ray, the original.
There is also a standard set which contains the same 4K transfer and a remastered p disk but does not include the version. Scarface was released theatrically in North America on December 9, This figure made Scarface the 16th highest-grossing film of , and seventh highest grossing R-rated film in North America for The original release of Scarface was met with a negative critical response,  and drew controversy regarding the violence and graphic language in the film.
Writers Kurt Vonnegut and John Irving were among those who allegedly walked out in disgust after the notorious chainsaw scene.
Roger Ebert rated it four stars out of four in his review, and he later added it to his "Great Movies" list.
When it comes down in Scarface, the crash is as terrifying as it is vivid and arresting. Leonard Maltin was among those critics who held a negative opinion of Scarface.
At least the movie moved. In his review for Newsweek , David Ansen wrote, "If Scarface makes you shudder, it's from what you think you see and from the accumulated tension of this feral landscape.
It's a grand, shallow, decadent entertainment, which like all good Hollywood gangster movies delivers the punch and counterpunch of glamour and disgust".
But the effort expended on the flawless Cuban accent and the attempts to flesh out a character cut from inch-thick cardboard are hopeless.
The website's critics consensus reads, "Director Brian De Palma and star Al Pacino take it to the limit in this stylized, ultra-violent and eminently quotable gangster epic that walks a thin white line between moral drama and celebratory excess.
During filming, some Cubans objected to the film's Cuban characters being portrayed as criminals by mostly non-Cuban actors.
The film featured a disclaimer following its credits stating in red, all-cap lettering "Scarface is a fictional account of the activities of a small group of ruthless criminals.
She also called Pacino's portrayal of a Cuban-American as having a "ridiculous accent and overacting. In a report around to Mariel Cubans were reported to inhabit Dade County jails on a typical day.
His mother and his sister represent the clean-cut Cuban community. His mother scolds him: You're a scumbag, get out of my house!
You're ruining your sister! So there is a strong morality in the movie. I knew about the criticisms even in advance, that Cubans were not like that.
But I'm sorry: A lot of Cubans did become Marielitos. If I'd done it about Colombians, they would've said the same thing: 'You're anti-Colombian'.
The film is recognized by American Film Institute in these lists:. It is 10 while the original is 6.
Pacino was already an established successful actor, but Scarface helped launch Pfeiffer's and Mastrantonio's careers, both of whom were relatively unknown beforehand and went on to individual successes.
The release of Scarface coincided with the rise of hip hop music, and the film has had a lasting influence on hip hop artists.
In , artist James Georgopoulos included the screen-used guns from Scarface in his popular Guns of Cinema series. It starts with corrupt police officers finding that Tony has survived the final mansion showdown.
Tony works at rebuilding his criminal empire, similar to the game The World Is Yours. Scarface is among the films that served as inspiration for the video game Grand Theft Auto: Vice City , which took place in a representation of s' Miami and featured music from the film's soundtrack, as well as a recreation of Montana's mansion.
The quote "Say hello to my little friend! In , plans were made for hip hop artist Cuban Link to write and star in a sequel to Scarface titled Son of Tony.
In , Universal announced that it is developing a new version of Scarface. The studio stated that the new film is neither a sequel nor a remake, but will take elements from both this version and its predecessor, including the basic premise: a man who becomes a kingpin in his quest for the American Dream.
Martin Bregman, who produced the remake would produce this version also,  with a screenplay by David Ayer ,  and David Yates in talks to direct the film.
The film's update will be an original story set in modern-day Los Angeles that follows a Mexican immigrant's rise in the criminal underworld as he strives for the American Dream.
On February 10, , it was announced that the film would be released in theaters on August 10, , with the film's script being written by the Coen brothers.
Filming would take place in Los Angeles , Atlanta , and Mexico. On May 14, , it was announced that Fuqua was no longer directing and, instead, Luca Guadagnino has signed on to direct the film; with the script still being written by the Coen brothers as previously confirmed.
From Wikipedia, the free encyclopedia. Theatrical release poster. Jerry Greenberg David Ray. Universal Pictures. Main article: Scarface soundtrack.
Archived from the original on July 17, Retrieved July 17, The New York Times. Retrieved April 13, December 7, Archived from the original on December 7, Retrieved June 3, Box Office Mojo.
Turner Classic Movies. Retrieved January 11, August 26, Retrieved October 13, May 20, Archived from the original on December 8, Retrieved December 3, May 11, Retrieved April 2, November 20, Archived from the original on January 5, Retrieved January 4, Total Film.
Retrieved December 15, Archived from the original on October 27, Retrieved December 7, November 1, Archived from the original on January 4, Business Insider.
Retrieved December 6, Retrieved January 6, October 30, The Oliver Stone Experience. Harry N.
Comic Book Resources. Archived from the original on December 13, The Talks. Archived from the original on October 15, December 1, Archived from the original on December 6, Retrieved July 20, TV Tango.
January 7, Archived from the original on November 5, Retrieved November 11, Retrieved June 8, The Digital bits. Archived from the original on November 7, Retrieved March 16, Martin's Press.
Universal Studios Entertainment. Archived from the original on April 29, Retrieved August 11, Home Media Magazine. March 25, High-Def Digest.
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Washington Post. Rotten Tomatoes. CBS Interactive. The Guardian. December 10, Retrieved June 11, Retrieved March 22, Organized Crime: From Trafficking to Terrorism.
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Joseph as Car Salesman. Ava Lazar as Woman at Babylon Club. Mario Machado as Interviewer. Emilia Crow as Woman at Babylon Club.
Ray Martel as Nacho's Bodyguard. Marii Mak as Woman at Babylon Club. John McCann as Bank Spokesman. Pat Simmons as Woman at Babylon Club.
Richard Mendez as Gina's Killer. Terri Taylor as Woman at Babylon Club. Victor Millan as Ariel Bleyer.
Katt Shea as Woman at Babylon Club. Santos Morales as Waldo. Mike Moroff as Gaspar's Bodyguard. Gil Baretto as Cuban Refugee.
Angela Nisi as Gutierrez Child. Arnold Tafolla as 1st Kid. Manuel Padilla Jr. Tony Pann as Driver. Ilka Payan as Mrs.
Barbra Perez as Marta. Michael Rougas as Monsignor. Anthony Saenz as Cuban Refugee. Jim Towers as Cuban Refugee. Geno Silva as The Skull.
Charles Tamburro as Helicopter Pilot. Bob Yanez as Cuban Man. December 3, Full Review…. July 30, Full Review…. February 23, Full Review….
October 27, Rating: 4. March 24, Full Review…. July 29, Full Review…. View All Critic Reviews May 02, Probably the best thing de Palma has done.
Seriously intense and violent, but equally poetic and mesmerising. Definately the best Al Pacino performance.
Mar 09, Scarface has a great storyline, brutal violence as well as having Al Pacino at one of his finest roles.
Scarface is one of the best gangster dramas! Mr N Super Reviewer. Sep 25, Directors C Super Reviewer. Mar 17, Scarface is often held up at the quintessential violent gangster film.
While The Godfather series is arguably the most revered gangster saga, Scarface is the film whose posters adorn student walls and whose many quotable scenes are a meme generator's wet dream.
But after 30 years, the film that took so long to become cool has started to lose some of its sheen, and is now, for good and bad, the epitome of s indulgence.
Scarface was a watershed for many a career. For Al Pacino, this performance can be seen as the beginning of his over-the-top streak, which slowly but surely started to erode his technique and which has rarely been reigned in since Scent of a Woman.
For Oliver Stone, it was the film which launched his career: a few short years later he was the toast of Hollywood, directing Platoon and Wall Street and penning The Untouchables.
And for Brian De Palma, it marks the point where his love of visual extravagance began to dominate his sense of discipline; his later works are, for the most part, a never-ending pursuit of style with little time or care for substance.
In remaking the film by Howard Hawks, Stone and De Palma shift the setting from Chicago to Florida and change the central crime from bootlegging alcohol to shipping cocaine.
The original was modelled around the real-life gangster Al Capone - who allegedly liked the film so much that he bought one of the original prints.
But while both films feature a protagonist who rises to the top by running his former bosses out of town, this version adds the twist of our lead being a foreigner.
In making Tony Montana a Cuban immigrant, the filmmakers are attempting some kind of satire of the American dream, in which anyone can come to America and make it as a successful businessman.
At least, you'd like to think so. In reality Scarface is far more interested in how best to shoot excess or bloodbaths than it is in offering any insights into their cause, repercussions or wider meanings.
No-one can deny De Palma's brilliance in terms of cinematography and choreography, not to mention his use of Giorgio Moroder's famous score.
But once you stop admiring how well a given shot is framed, or how sleazy Pacino looks, there isn't a great deal more going on to justify the running time.
In short, the film has all the style in the world, and all the depth of a teaspoon. While both parts are longer than Scarface, clocking in at around 3 hours each, Coppola's films are better-paced, have much more nuanced characters and have a far greater amount of depth.
Even in its slowest, quietest, least consequential moments, The Godfather series had a lot to say about family dynamics, the position of outsiders, the role of crime in American history and the corruption of the human soul.
Scarface looks lavish and excessive, but it has nothing to say beyond the old adage that crime doesn't pay.
Part of the problem is that the film is incredibly episodic. It takes an awfully long time to set up Tony Montana, and an equally long time to go through the familiar motions of a gangster story: the initial encounters, the rapid rise, the enjoyment of one's success turning to hubris, and the fall from grace.
The film is one of many memorable moments which loosely connect together until the last 20 minutes - which might help to explain why it is so easily quotable.
You might say that this this is the closest we got to a Quentin Tarantino film before Quentin Tarantino; certainly the violence rivals anything in Reservoir Dogs or Pulp Fiction.
One of the big disappointments of Scarface is that De Palma doesn't make a great deal out of the modern-day setting. This is surprising considering what a political filmmaker Stone is: you would expect him to use an event like the Havana boatlift as a springboard for some kind of commentary on race relations or American politics.
The opening montage is very well-assembled, so that we cannot tell whether we are watching actual news footage or fake footage shot on different formats something that Stone is known to do.
But after this there is little or no attempt made to tie Montana's story into wider ideas about immigration, police corruption or the influence of Latin America on American crime.
More than any other film of the s, Scarface raises the question: at what point does depicting excess become revelling in excess?
We're not just talking about the impressively stylised violence, but also the lifestyle enjoyed by Montana, Sosa and the other characters.
The film's narrative arc and unlikeable, sleazy characters would seem to support the argument that the visual excess demonstrates how bankrupt their lifestyle is.
But this is somewhat undermined by the many long, wide-angle establishing shots which show off the characters' wealth. The director may not approve, but the camera is in love with the money.
Ultimately the visual style of Scarface is enough to drive the film over the line of ambivalence. We're still left with plenty of questions about the intentions of the film, but the experience of watching it is so full-on that these concerns are not always at the forefront of our minds.
The film is operatic in scale and intent, with every scene playing on big emotions and impulse where The Godfather thrived on subtlety and nuance.
It's not hard to see the influence of the film in contemporary music videos, with the 'push it to the limit' montage being a good example of what was to come.
Accepting the operatic nature of Scarface is in many ways the secret to appreciating it. We could sit there looking at our watches, wondering where cuts could have been made or whether in real life the characters would behave like this.
Or we can take the grandiosity and indulgence at face value, seeing them as extensions of the acting style and regarding the film as a hallucinogenic trip.
The film unwittingly draws us into the same high as the characters, and our discomfort and desire for things to be over is as much out of objective frustration as it is a shared subjective experience.
If we allow ourselves to be seduced by Scarface's repulsive extravagance, the performances begin to feel like more than pantomime tomfoolery.
In any other context Al Pacino would come across as a ham, but Tony Montana is so larger-than-life, so much a symbol rather than an individual, that he holds our attention even in his nastiest, scuzziest moments.
Paul Shenar is terrific as Alejandro Sosa, conveying genuine threat while keeping suave and restrained. And Michelle Pfeiffer manages to make the best out of what is essentially a nothing role.
Pfeiffer would later joke that she won her part when she accidentally cut Pacino with a plate during her screen test. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him.
Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.
Written by garykmcd. Scarface has a great storyline, brutal violence as well as having Al Pacino at one of his finest roles. Scarface is one of the best gangster dramas!
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In Miami, a determined Cuban immigrant takes over a drug cartel and succumbs to greed. Director: Brian De Palma.
Writer: Oliver Stone screenplay by. See Showtimes. Added to Watchlist. From metacritic. Mahesh Babu's Watchlist. Nawazuddin Siddiqui's Watchlist.
In Memoriam Stars We've Lost. Tribeca Retrospective. All-Time Favorite Movies. Share this Rating Title: Scarface 8. Use the HTML below.
You must be a registered user to use the IMDb rating plugin. Black And White According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features uses of the "F" word, which works out to about 1.
At the time of the films' release, this was the most of any movie in history. This film is dedicated to Ben Hecht and Howard Hawks , the writer and director of the original Scarface Brian De Palma's Scarface is a loose remake of the movie, which is also about the rise and fall of an American immigrant gangster.
The producer of the version, Martin Bregman , saw the original on late night TV and thought the idea could be modernized and still pay respect to the original film.
De Palma's flick is dedicated to the original film's director, Howard Hawks , and screenwriter, Ben Hecht. Brian De Palma liked the script so much that he dropped out of directing Flashdance to direct this film.
Tammy Lynn Leppert , who played the blonde girl in the blue bikini during the chainsaw sequence, disappeared on 6th July under suspicious circumstances and has never been heard from again.
While working on this movie, Leppert had a breakdown on the set while watching a violent scene.
After being taken to her trailer, she expressed to a family friend fears about alleged money laundering and people supposedly wanting to kill her.
Tammy quit the film shortly afterwards. She vanished on 6th July , slightly over five months before this movie was released to movie theaters in the United States.
Leppert's disappearance was featured on Unsolved Mysteries: Episode 5. Tammy's mother was interviewed for the segment; she died a few years later but Tammy's sister is still searching for her.
Michelle Pfeiffer accidentally cut Al Pacino 's face during production. Writers Kurt Vonnegut Jr.
At the middle of the film, Martin Scorsese turned to Steven Bauer and told him, "You guys are great - but be prepared, because they're going to hate it in Hollywood Although Tony Montana is supposed to be Cuban, making his first language Spanish, he only speaks one line of Spanish during the entire movie.
Scarface was actually a nickname of Al Capone who was an Italian-American gangster. There was a huge controversy in the city of Miami during the making of the film over whether the producers should be allowed to shoot in the city.
The Miami Tourist Board decided not to allow filming, as they were afraid the movie would discourage tourism to Miami, particularly as it showed Miami's latest Cuban immigrants as gangsters and drug dealers.
During filming F. Abraham later noted that he immediately noticed that he immediately began being treated with a great deal of respect by the crew on "Scarface" because it was a highly coveted part for which many top actors had auditioned.
According to producer Martin Bregman , the only shot removed from the "chainsaw scene" was a dismembered arm hanging from the shower curtain rod as the camera pans over to Hector, establishing his line "And now the leg, huh?
Steven Bauer is the only real-life Cuban in the principal cast. Miriam Colon is Puerto Rican. Bauer and Salazar were often consulted by their co-stars and director Brian De Palma for advice on Cuban attitudes and culture.
Body count: Ranked 10 on the American Film Institute's list of the 10 greatest films in the genre "Gangster".
Scarface , the version starring Paul Muni , was ranked 6 in June The picture was shot for 24 weeks from November 22, to May 6, In the opening sequence with Tony Montana Al Pacino and the immigration officers, Charles Durning 's voice has clearly been used to overdub an actor playing one of the officers.
If you listen carefully, Al Pacino also had to overdub his own voice at three or four different points in the same scene.
Al Pacino worked with experts in knife combat, trainers, and boxer Roberto Duran to attain the body type that he wanted for his role.
Duran also helped inspire the character, who had "a certain lion in him", according to Pacino. Steven Bauer and a dialect coach helped him learn aspects of the Cuban Spanish language and pronunciation.
The entertainment industry initially hated the film, with Liza Minnelli asking Al Pacino what he had done to leave the insiders subdued at a post-screening meal.
Minnelli had not seen the film at the time. However, during the meal, Eddie Murphy told Pacino that he loved the film.
At 1hr 57mins one of Tony's men brags about once working with Marlon Brando on a movie. Alejandro Sosa is based on Roberto Suarez - a real life Bolivian drug lord and trafficker who played a major role in the expansion of cocaine trafficking in Bolivia.
Lana Clarkson is credited as one of the women in the Babylon Club scene, which features an intense gunfight.
Twenty years later in , she would be shot to death by legendary music producer Phil Spector at his home in Los Angeles.
Al Pacino portrayed Spector in Phil Spector Al Pacino used Meryl Streep 's portrayal of an immigrant in Sophie's Choice as inspiration for his portrayal of Tony.
In creating the Freedom Town sequence, Brian De Palma and visual consultant Ferdinando Scarfiotti researched actual events and found that in , newly arrived Marielitos were housed in a hastily constructed camp beneath a Miami freeway.
For the movie, the camp was erected in Los Angeles, beneath the intersection of the Santa Monica and Harbour freeways.
The final riot in Freedom town called for some linguistic agility, as many of the six hundred extras spoke Spanish; thus safety required careful translation prior to each set-up.
Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone - who was still reeling from the box office disappointment of his film, The Hand , wasn't interested.
So Marty presented it to me and I had no interest in doing a period piece. Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly.
There's a prohibition against drugs that's created the same criminal class as prohibition of alcohol created the Mafia.
It was a remarkable idea. According to Stone: "Sidney Lumet hated my script. I don't know if he'd say that in public himself, I sound like a petulant screenwriter saying that, I'd rather not say that word.
Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al. Lillian Michelson, an uncredited movie researcher from the s to the early s, did research for the drug gangs for the movie.
She interviewed a retired drug boss, and a DEA agent, and one day visited with both at the same time, and neither knew anything about the other.
She spoke with a drug lord who she described as 'a nice Jewish boy', who offered to send her his private jet and bring her down to Bolivia for some hands on experience in the drug world.
Lillian went home and excitedly told her husband, Hollywood art director and production designer, Harold Michelson, 'Harold, I'm going to Bolivia!
Al Pacino wanted Glenn Close to play Elvira, but the producers didn't think she was sexy enough.
The original idea was to make this film a remake of Scarface , which took place in Chicago, but this proved to be impossible due to budget constraints.
In the film, Tony buys a Porsche to impress Elvira. In the original script, he buys a red Jaguar. The picture of Gen. Cocombre that the cocaine investigator shows during his interview that Sosa shows to Tony and the rest of his guests, is in fact of Col.
Tony breaks all the rules Frank tells him at the Babylon Club. One of the last four-track magnetic stereo releases if not the last.Datenschutzbestimmungen anzeigen. Also locker bleiben. Na dann, viel Gück! Habe den Film vor 2 Jahren oder so gesehen apologise, Bet3000 Live opinion ihn mir direkt auf BR gekauft. In den Warenkorb Bitte wählen Sie eine Variante. Wandtattoo Option en. Read article dich an, um einen Kommentar zu schreiben. Ihre Meinung ist uns wichtig! Wir setzen uns aktiv für den Schutz der Umwelt ein und entwickeln nachhaltige Produkte. Ja bei mir genauso. Natürlich gibt es seit einigen Jahren so viele Remakes, von denen die meisten auch nicht viel Wert sind aber deshalb JEDES Remake gleich zu verteufeln, ist mir zu simpel gedacht. So what?! Archived from the original on April 21, In the scene at the Sun Ray where Tony Montana meets the Colombians, there is the trademark multi-colored bag of Mothers Cookies on the dresser. The film is operatic https://bigrepair.co/online-casino-gutschein/reefclub-casino.php scale and intent, with every scene playing click here big emotions and impulse where The Godfather thrived on subtlety and nuance. Miriam Colon as Mama Montana. Scarface, ou le fantasme du paradis [ More info, or the fantasy of paradise ] in French. Archived from the original on March 4,